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Led Zeppelin II

 
 
Led Zeppelin II
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Led Zeppelin II  (Vinyl) 
by Led Zeppelin

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Our Price: $122.69

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Product Details:
Studio: Atlantic Records
Average Customer Rating: based on 423 reviews
 
 
Customer Reviews:
Average Customer Review:4.5
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51969. Led Zeppelin. On a CD. You like?  Nov 21, 2009
The CD has the time-honored Atlantic label printed on it and the sound is great. Oh yeah, and it's Zep.

5Mystifying Musical Brilliance  Oct 29, 2009
I've always read and heard that Led Zeppelin was often undersold throughout their 10-11 year reign by music critics. If this is true, it leaves me dumbfounded. From the first riveting note to the last, this album / cd is still as jaw-dropping and ferociouly exquisite as the day it was released. Forget Guns 'n Roses and ANY other band that claims to have picked up where Led Zep left off. My friends, it all begins and ends right here.

5Mop my brow, hot mama!  Sep 15, 2009
I've tried five times to write this review so that it'll be published, and here I'll try again. Apparently Amazon requires 75 words, and it has to be "pertinent" to the item reviewed. All I wanted to say was this, so I'll put it in caps so it'll stand out: THE SWEATIEST ROCK ALBUM EVER. There. See, sometimes one can make an encapsulating statement that most everyone will understand. Sometimes less is more. People know this item and people know what rock music is, and they will get it. On the TV series CHEERS, someone asked a literate professor what the sweatiest movie ever made was. Without hesitation, the guy said, "Cool Hand Luke." See what I mean, Amazoids?


5LZ TWO  Sep 11, 2009
Their second record really captured, what the band was all about, and where they were headed musically, more profoundly than their first record. It focused more upon the rock aspect, although the blues element was still there.

4Pivotal album in the evolution of Heavy Rock.  Aug 25, 2009
Hard to believe that this and the self-titled were released within one year of another. Both played an immense impact on Rock and Roll while advancing already set standards from earlier and contemporary acts such as The Yardbirds,Cream, Jimmi Hendrix Experience and Ten Years After. Zeppelin further placed the guitar riff as pivotal to a rock song and chose to be louder and heavier which was puncuated by the seperation of the bass and drum sound which added heavier bottom weight to these classics.

In many ways however, this is not a superior album than it's predecessor. It's practically an extension, not a bad thing, but the band would create and better and more complex work starting with there next album and than on.

Zeppelin is often cited as being "Heavy Metal" but in fact they only really flirted with the sound, never quite escaping from the blues and far too folksy and accoustic happy than contemporaries Deep Purple and Black Sabbath who really cemented the heavy sound. Yet, much is to be owed towards this seminal release.

"Led Zeppellin 2" features many of the band's signature cuts beginning with one of there most beloved tracks in the form of "Whole Lotta Love". Unquestionably a classic, the song has unfortunately been overplayed much too often and it's importance lies mianly in it's chugging iconic riff. "Heartbreaker" is simple heavy blues and appears rather dated but it's importance is unquestionable. "Living Loving Maid" is often paired with this track and is not a personal favorite of guitarist Jimmy Page. It's an enjoyable enough toe tapper that seems to be the direct ancestor to the later and superior, "Rock and Roll" off of there classic fourth album.

"Ramble On" endures as a excellent example of proto-Metal with a classic riff and a structure that would influence many bands to follow, what with it's soft, melodic intro and excellent rock to finish mid section. The lyrics also showcase the band's fascination with fantasy and that will play a definitive influence on later Power acts and certainly contemporary Uriah Heep who practically specialized in that field.

"Moby Dick" is a bit ponderous but satisfying due to the enormous drum talent of John Bonham whose skills are perhaps best represented by this mighty instrumental. It goes on overlong but it's difficult not to be impressed by such a masterly performance.

The remainder of the album is drenched in the blues dragged through heaviness. Several are classics including that ode to great Blues man Robert Johnson, "The Lemon Song" whith it's wonderfully provacative lyrics. "Bring it on Home" and "What Is and What Should Never Be" are very bluesy. "Bring it on Home" evokes even something of a honkytonk style in it's first half before surrendering to heaviness.

"Thank You" is practically a preview of the band's third album as it is almost entirely accoustic. It is also one of the album's most satisfying and emotional works and ranks among this band's best songs.

There is much dated about this album but it's importance is notable and a listen is absolutely essential to anyone who remotely considers him/herself a rocker or Metalhead. Certainly the riffs of Page and the vocal stylings of Robert Plant will continue to influence many would bes and it is difficult to think how many will enjoy the longevity of this band and this milestone release made some forty years ago.